Arthur Verocai teams up with Nu Civilisation Orchestra at The Barbican for dazzling UK debut at the age of 79

Brazilian composer, vocalist, and producer Arthur Verocai has had a most unusual musical career. When his self-titled debut album first launched in 1972, it barely made a ripple internationally, and for nearly three decades Verocai was forced make a living writing for music for television advertisements. This album, however, was destined to garner a cult following decades later, with his flowing rhythms and inventive melodies catching the attention of numerous DJs and cratediggers during the early 2000s. Since this surprising resurgence, Verocai has been sampled relentlessly by the likes of MF DOOM, Common, Action Bronson, and Ludacris, and he has also produced multiple tracks for the likes of BADBADNOTGOOD and Hiatus Kaiyote. This performance at the Barbican then, was a joy to experience on many levels: it was a celebration of the 79-year-old’s hard-earned musical vision, the live debut of his music in the UK, and, above all else, a thoroughly enjoyable and flawless musical performance.

Verocai’s compositions are lyrical and sophisticated, clearly displaying his vibrant and thoughtful musicality. Performances of ‘Na Boca Do Sol’ and ‘Dedicada a Ela’ showcased his signature sound, which blends the breezy rhythms of bossa nova with the improvisational spontaneity of jazz and the textural variety of classic big band music. All these compositions were energetically brought to life by the Nu Civilisation Orchestra, the orchestral arm of UK jazz talent development organisation Tomorrow’s Warriors, and further elevated by the presence of three special guests. The suave Latin guitarist Rogê added a rhythmic intensity and vocal liveliness to the evening, complementing the soulful alto of singer Paula Santoro. Ricardo Verocai, Arthur’s son, was also exceptional on electric keyboard and acoustic piano, adding a spicy harmonic depth to his father’s arrangements. Verocai himself contributed some vocals on a few of the tracks from the conductor’s podium – a heartwarming and charming touch from the old man.

Audiences at the Barbican rarely get as rowdy as they were for this gig. Verocai undoubtably continues to have a strong cult following here, and it was wonderful to see his legendary album finally performed live in the UK – nearly five decades after it was originally released. For those who have not yet listened to Verocai’s music, I would strongly urge you to do so.