David Murray: Remastered Recordings On Black Saint & Soul Note Vol. 3
A glance at the large amount of players used on these six recordings says much about Murray's role as a...
Reviewed by Kevin Le Gendre in issue: March/2017
Johnny Hammond: Gears
Christmas has come early for jazz-funk fans in the shape of this superb reissue of a long-unavailable classic of the...
Reviewed by Kevin Whitlock in issue: Dec/Jan/2022/2023
Dominic Ashworth: Psyche
Ashworth often records for other leaders, notably Fairweather, but seldom fronts his own albums, so this release is to be...
Reviewed by Peter Vacher in issue: May/2019
Benjamin Boone/Philip Levine: The Poetry Of Jazz
The title is clear enough in intent and the strategies deployed on The Poetry Of Jazz are not unfamiliar. Saxophonist...
Reviewed by Kevin Le Gendre in issue: June/2018
The Pollyseeds: Sounds Of Crenshaw Vol. 1
To Pimp A Butterfly could just be the decade's most important album for US jazz at least, Kendrick Lamar's imprimatur...
Reviewed by Nick Hasted in issue: October/2017
Henry Threadgill 14 Or 15 Kestra: AGG: Dirt… And More Dirt
Two offerings from the masterful composer in a rich vein of form that demonstrate his ability to still draw newness...
Reviewed by Kevin Le Gendre in issue: September/2018
Sun Ra: Lights On A Satellite: Live At The Left Bank
Confusingly, Resonance Records have decided to give their latest collection of Sun Ra recordings virtually the same title as the...
Reviewed by Edwin Pouncey in issue: December/2024
Digby Fairweather: The Best of Digby Fairweather's Half Dozen
We're in the middle of a Digby Fairweather love-fest, it would J seem, what with the reissue of his autobiography,...
Reviewed by Peter Vacher in issue: May/2015
Henry Threadgill: Double Up, Plays Double Up Plus
Two offerings from the masterful composer in a rich vein of form that demonstrate his ability to still draw newness...
Reviewed by Kevin Le Gendre in issue: September/2018
Buddy Rich Orchestra: Just in Time: The Final Recording
Daughter Cathy Rich’s note reports that this session was recorded at Ronnie Scott’s in 1986 using the Rolling Stones’ mobile...
Reviewed by Peter Vacher in issue: February/2020
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