Jeremy Pelt: Soul
In the 2011 Jazzwise critics poll listings (December/January issue) both Roy Carr and this writer voted Jeremy Pelt's The Talented...
Reviewed by Tony Hall in issue: July/2016
Tony Oxley: Unreleased 1974-2016
Little needs to be said of percussionist Tony Oxley’s credentials as a figurehead of improvised music – either through his...
Reviewed by Daniel Spicer in issue: June/2022
Joe Williams: Four Classic Albums
It would be truer to say that this is two classic albums, with a pair of additional records of wildly...
Reviewed by Alyn Shipton in issue: June/2021
Roscoe Mitchell Trios: Bells For The South Side
This latest Mitchell music was presented at the 50th anniversary celebrations of the AACM at the Museum Of Contemporary Art...
Reviewed by Kevin Le Gendre in issue: September/2017
Milt Ward & Virgo Spectrum
Rare or obscure, and fetching stratospheric prices among crate-diggers, has never been a guarantee of musical merit. However, I’m happy...
Reviewed by Kevin Whitlock in issue: July/2022
Yusef Lateef: Detroit Latitude 42, Longitude 83
An ode to one of the great black music Meccas in America would, one expects, be nothing less than soulful,...
Reviewed by Kevin Le Gendre in issue: July/2023
Kevin Figes/Julie Tippetts: Happy Apples
In 2021 George Haslam closed down his SLAM Productions label after some 30 years and more than 250 album releases...
Reviewed by Tony Benjamin in issue: December/2024
Wayne Horvitz European Orchestra: Live At The Bimhuis
Composer Wayne Horvitz notes that he first invented these variations on his friend Butch Morris' ‘conduction’ methods to get the...
Reviewed by John Fordham in issue: June/2019
David Murray: Remastered Recordings On Black Saint & Soul Note Vol. 3
A glance at the large amount of players used on these six recordings says much about Murray's role as a...
Reviewed by Kevin Le Gendre in issue: March/2017
Yusef Lateef: Four Classic Albums: Jazz For The Thinker/Eastern Sounds/Other Sounds/Into Something
If ever there were titles in jazz that act as a grand metaphor for the essence of the music here...
Reviewed by Kevin Le Gendre in issue: August/2014
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