Hank Mobley: Four Classic Albums – Second Set
This is a significant supplement to the same label's previous Mobley set reviewed in Jazzwise 214. Whereas that compilation concentrated...
Reviewed by Brian Priestley in issue: August/2019
Kenny Dorham: Four Classic Albums: Second Set
This set cherrypicks three Blue Note dates and one Riverside session, from 1955-1961, rather than (as some other such Avid...
Reviewed by Alyn Shipton in issue: November/2019
Miles Davis & Bill Evans: Complete Studio & Live Masters
This appears such an obvious idea that you wonder why no compiler has thought of it before. Basically, the contents...
Reviewed by Brian Priestley in issue: Dec/Jan/2017/2018
Jim Rattigan's Pavilion: The Freedom of Movement
French horn isn't one of the quintessential jazz instruments, but Jim Rattigan is a good enough player, composer and leader...
Reviewed by Robert Shore in issue: August/2020
Nigel Aubrey Thomas: Restless Soul
Bassist Thomas, a stalwart of the Sussex and wider UK scenes who has released two albums as a jazz bandleader,...
Reviewed by Nick Hasted in issue: September/2023
Mike Stern: All Over The Place
If you thought Big Neighbourhood, Stern's impressive run out from a couple of years ago tapped a diverse range of...
Reviewed by Andy Robson in issue: August/2012
New Jazz Orchestra/Neil Ardley Group: BBC Sessions 1968-1970
Neil Ardley would have been pleasantly surprised with the emergence of work that he thought had disappeared into the ether...
Reviewed by Stuart Nicholson in issue: November/2024
Album Interview: Sarah Jane Morris: Bloody Rain
In many ways, this is a remarkable album. Remarkable for its ambition, its sound world, its powerful stories and, at...
Reviewed by Peter Quinn in issue: September/2014
Sun Ra Arkestra: Living Sky
It’s hard to put one’s finger on exactly what makes the Arkestra sound so ineffably cosmic. This new collection of...
Reviewed by Daniel Spicer in issue: November/2022
Muhal Richard Abrams: Celestial Birds
Abrams’ legend status as a founder of the AACM (Association for the Advancement of Creative Musicians) has possibly reduced the...
Reviewed by Kevin Le Gendre in issue: March/2020
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