The Lightmen: Free As You Wanna Be
Houston may be synonymous with hard-honking horn players and heavy duty R'B but it's worth remembering that neighboring Fort Worth...
Reviewed by Kevin Le Gendre in issue: October/2018
Mark Murphy: Midnight Mood
Here’s the premier male jazz vocalist of his day in assertive form in front of an octet taken from the...
Reviewed by Peter Vacher in issue: April/2022
Vince Mendoza & the London Symphony Orchestra: Epiphany
One of Ted Gioia’s most interesting articles in his Honest Broker substack posts is a piece he did on arts...
Reviewed by Stuart Nicholson in issue: August/2024
Samara Joy: Linger Awhile
Ben Paterson | David Wong | Kenny Washington | Pasquale Grasso | Samara Joy McLendon
Released last year on Whirlwind, Samara Joy McLendon's debut album announced the arrival of a remarkable new talent, a vocalist...
Reviewed by Peter Quinn in issue: October/2022
Spontaneous Music Ensemble: Withdrawal
These important recordings represent some of the missing pieces in the Spontaneous Music Ensemble jigsaw that links their earliest recorded...
Reviewed by Edwin Pouncey in issue: September/2016
Donald Brown: Born to Be Blue
Donald Brown follows the classic Jazz Messengers recipe of strong horns, tight grooves and well-crafted arrangements and tweaks it with...
Reviewed by Mike Hobart in issue: July/2013
Oscar Pettiford: Oscar Pettiford 1958/1959
Pettiford is almost forgotten these days, despite being a huge influence on the next generation of bassists such as Paul...
Reviewed by Brian Priestley in issue: December/2020
Dianne Reeves: Beautiful Life
The inimitable Dianne Reeves is back with her first studio album for five years. Featuring an all-star cast, the overall...
Reviewed by Peter Quinn in issue: February/2015
Lou Bennett: Amen (& More)
The expatriate US organist on fine form in Paris in 1962 with Kenny Clarke and Jimmy Gourley, this mixes grits'n'gravy...
Reviewed by Alyn Shipton in issue: July/2017
Zoot Sims: At Ronnie Scott's 1961
‘Lost’ parliamentary dossiers aside… some years ago, I attempted to not only licence the entire Tony Hall-produced Tempo catalogue, but...
Reviewed by Roy Carr in issue: September/2014
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