Ben Williams: Coming Of Age
Andy Hague | Ben Waghorn | Chris Jones | Jim Blomfield | Mark Whitlam
Even before he landed a high profile gig with Pat Metheny, Ben Williams attracted attention through impressive work with the...
Reviewed by Kevin Le Gendre in issue: March/2019
Ralph Peterson's Gen-Next Big Band: Listen Up!
A confirmed able and keeper of Art Blakey’s flame, drummer (and-ex-Messenger) Peterson is also a composer of note, the highlight...
Reviewed by Kevin Le Gendre in issue: February/2020
Hans Lüdemann: Die Kunst Des Trios 1-5
Hans Lüdemann is not one for making life easy for himself. Last month he performed a solo concert in Cologne's...
Reviewed by Stuart Nicholson in issue: August/2012
Terri Lyne Carrington: New Standards Vol. 1
One of the fascinations of listening to new jazz recordings comes when a spotlight is turned on artists and tunes...
Reviewed by Selwyn Harris in issue: November/2022
Confluence: Chroniques Terrestres
If you had to take a blindfold test, how often could you identify which side of the Atlantic a piece...
Reviewed by Daniel Spicer in issue: June/2016
McClenty Hunter Jr: The Groove Hunter
Drummer McClenty Hunter Jr knows all about the groove roots of hard bop – he started out in gospel music,...
Reviewed by John Fordham in issue: July/2018
George Duke: No Rhyme, No Reason: The Elektra/Warner Years 1985-2000
That long list of vocalists is the giveaway. This bumper 3-CD, three-hour-plus release draws on nine albums over 15 years,...
Reviewed by Andy Robson in issue: August/2022
Ben Williams: State of Art
A bass-sideman for high profile mainstream US jazzers such as Terence Blanchard, Stefon Harris, Jacky Terrasson, and saxophonist Marcus Strickland...
Reviewed by Selwyn Harris in issue: February/2012
Julian Argüelles: Let It Be Told
Argüelles' 12th release as leader finds him weaving together the musical skeins that make up his musical mind. This is...
Reviewed by Andy Robson in issue: May/2015
Wolfgang Haffner: Kind of Cool
In 2008 Haffner came up with a minor masterpiece for the ACT label in Acoustic Shapes that seemed to capture...
Reviewed by Stuart Nicholson in issue: April/2015
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