Dale Cooper Quartet & The Dictaphones: Astrild Astrild
These Brittany-based doom and gloom merchants are primarily inspired by David Lynch composer Angelo Badalamenti, but his otherworldly soundscape also...
Reviewed by Selwyn Harris in issue: September/2017
Marty Paich: The Broadway Bit
Previously out from Warner and Rhino, this 12-piece band is mainly sought after by Scott LaFaro fans, as he plays...
Reviewed by Alyn Shipton in issue: August/2014
Andrew Rathbun: Shadow Forms II
Born in Toronto but now a New York resident, saxophonist Rathbun is a conceptualist who alongside bassist Scott Lee and...
Reviewed by Selwyn Harris in issue: September/2013
Orcastratum
Pianist Glenn Scott has an enviable indie/R&B-pop sideman CV, but here in a quartet that includes Neville Malcolm and drummer...
Reviewed by Selwyn Harris in issue: August/2018
Frankie Newton: The Frankie Newton Collection 1929-46
Sometimes more celebrated for his left-wing politics than his fine playing, this 3CD shows why Newton was so highly regarded...
Reviewed by Alyn Shipton in issue: September/2019
Howard McCrary: Moments Like This
With a smooth voice, and a sophisticated blues piano style, Ohio-born Howard McCrary was a star on the 1990s Birmingham...
Reviewed by Alyn Shipton in issue: November/2018
The Pete Hurt Jazz Orchestra: A New Start
Hurt, long a notable presence on the metropolitan scene released a small big band album on Spotlite way back in...
Reviewed by Peter Vacher in issue: September/2016
Ergo: If Not Inertia
Brett Sroka | Mary Halvorson | Sam Harris | Sebastian Kruger | Shawn Baltazor
Trombonist Brett Sroka may be an Ellington freak but he is also a film composer and a member of psych...
Reviewed by Marcus O'Dair in issue: June/2012
The Mike Westbrook Concert Band: Last Night at the Old Place
It may seem amazing that such an important document of British jazz history, the last night at Ronnie Scott’s ‘Old...
Reviewed by Stuart Nicholson in issue: August/2018
Stanley Turrentine: Look Out
Another of Jazz Images’ curious re-packings in which the headlining album is accompanied by three ‘bonus’ sessions which somehow don’t...
Reviewed by Simon Spillett in issue: March/2020
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