Kevin Hays: Variations
A collaborator of Brad Mehldau's on a recent duet album, Hays' improvisational poise on the classical side is again in...
Reviewed by Selwyn Harris in issue: February/2020
Louis Cole: Time
With jazz musicians emphatically parking their proverbial tanks on lawns until recently only reserved for pop, electronic or rock artists,...
Reviewed by Mike Flynn in issue: Dec/Jan/2018/2019
Vinicius Cantuaria: Samba Carioca
If the cliché “less is more” means anything then it says plenty about the supple subtlety of Cantuaria's writing and...
Reviewed by Andy Robson in issue: June/2010
Jorge Rossy Vibes Quintet: Beyond Sunday
The Catalonian-born Jorge Rossy is best known as the original drummer from Brad Mehldau’s trio, but his swing-based vibraphone on...
Reviewed by Selwyn Harris in issue: Feb/2019
Marta Sánchez Quintet: Danza Impossible
This New York-based pianist-composer is influenced by Brad Mehldau, her Spanish folk roots and New Music forms on her third...
Reviewed by Selwyn Harris in issue: March/2018
Pawel Kaczmarczyk Audiofeeling Trio: Something Personal
Pawel Kaczmarczyk is a highly-rated young Polish pianist who has recorded for the ACT label. There are classical, folk song...
Reviewed by Selwyn Harris in issue: October/2015
Patrick Zimmerli Quartet: Clockworks
Known by his occasional associations with Brad Mehldau, the composersaxophonist Zimmerli’s quartet features the likes of Ethan Iverson and John...
Reviewed by Selwyn Harris in issue: August/2018
Espen Berg: Acres of Blue
Another product of Norway's renowned Trondheim School, Espen Berg who has worked with Marius Neset among others plays solo piano...
Reviewed by Selwyn Harris in issue: February/2015
Carolina Chocolate Drops: Leaving Eden
While the only jazz connection is Brad Mehldau's label, this Grammy-award winning bluegrass band plays with a raw, rootsy mostly...
Reviewed by Selwyn Harris in issue: April/2012
Cormac Kenevy: Turning Skies
Formerly a Candid label artist, this understated Dublin-born MOR jazz vocalist dips into a fairly interesting repertoire for his third...
Reviewed by Selwyn Harris in issue: Feb/2019
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