Luis Gasca: For Those Who Chant
Born 1940 in Texas, Mexican trumpeter Luis Gasca cut his teeth playing with jazz giants such as Count Basie and...
Reviewed by Daniel Spicer in issue: Dec/Jan/2018/2019
Shelly Manne: …And His Men Play the music of John Williams from the TV Series Checkmate
A reminder that John ‘Star Wars’ Williams was a fine jazz musician, this is his 1961 music for a long...
Reviewed by Alyn Shipton in issue: June/2014
Teddy Edwards: It’s About Time
Teddy was particularly proud of this session with Les McCann on piano, and it’s great to have it available again...
Reviewed by Alyn Shipton in issue: October/2011
El Nino Machuca: Searching Your Youth
Pacho Machuca is a Seville-born guitarist with a good touch to go with his taste for joining up the languages...
Reviewed by Selwyn Harris in issue: April/2013
Benet McLean: The Bopped and The Bopless
Can you be too talented? Long championed by the much-missed Jack Massarik, McLean has somehow slipped beneath the radar that...
Reviewed by Andy Robson in issue: July/2016
Soft Machine: Other Doors
Fred Thelonious Baker | John Etheridge | John Marshall | Roy Babbington | Theo Travis
Things may come, and things may go, but Soft Machine and the Art School dance go on forever. In the...
Reviewed by Andy Robson in issue: August/2023
Bing Crosby: Bing In Dixieland
Universal is behind a massive new reissue programme of Bing’s work, and this is one of several long unavailable albums...
Reviewed by Alyn Shipton in issue: July/2013
Harold Danko: Lost in the Breeze
A consummate veteran pianist, who's worked with practically all of the cool west coast luminaries, is still in relaxed swingin’...
Reviewed by Selwyn Harris in issue: May/2016
Tower of Power: 50 Years of Funk & Soul
Get out your red zimmer, baby, you're going out to dance. Well, what can you say? This wasn't so much...
Reviewed by Andy Robson in issue: September/2021
Dave Brubeck Quartet: Jazz Goes To Junior College
The sequel to the hit LP Jazz Goes To College, this is the Brubeck/Desmond combination on top form, live in...
Reviewed by Alyn Shipton in issue: March/2012
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