Anton Eger: Æ
When witnessing ‘live’ the high flying international piano trio Phronesis, it’s the Oslo-born drummer Anton Eger who most catches your...
Reviewed by Selwyn Harris in issue: March/2019
Vienna Art Orchestra: The Minimalism Of Erik Satie
The employment of his music in adverts for chocolate and throat lozenges has not done much for the contemporary reputation...
Reviewed by Marcus O'Dair in issue: June/2011
Stanley Turrentine: Sugar/Gilberto with Turrentine/Salt Song plus Bonus Tracks
Hard on the heels of the three Ramsey Lewis sets on BGO comes this collection of Stanley Turrentine's early forays...
Reviewed by Alyn Shipton in issue: October/2018
Bill Evans: Momentum
Another previously unknown live recording to rival last year's Top Of The Gate release on Resonance, only this time from...
Reviewed by Brian Priestley in issue: Dec/Jan/2016/2017
Collective X: Love & Protest
Vocalist Alya Al-Sultani may currently have a relatively low profile on the UK jazz scene, but this new project Collective...
Reviewed by Kevin Le Gendre in issue: March/2018
Dianne Reeves: Beautiful Life
The inimitable Dianne Reeves is back with her first studio album for five years. Featuring an all-star cast, the overall...
Reviewed by Peter Quinn in issue: February/2015
Large Unit: Fluku
It says something about the grand ambitions of Norwegian drummer Paal Nilssen-Love’s Large Unit that, by releasing an hour of...
Reviewed by Daniel Spicer in issue: February/2018
Album Interview: Bassekou Kouyate & Ngoni Ba: Jama Ko
The Malian virtuoso Bassekou Kouyate is probably the world's most celebrated player of the ngoni, a traditional West African instrument...
Reviewed by Jane Cornwell in issue: March/2013
The Headhunters: The Stunt Man
There have been few bigger-selling or more influential jazz albums than Herbie Hancock’s 1973 fusion masterpiece Head Hunters, which saw...
Reviewed by Robert Shore in issue: November/2024
Emilia Mårtensson: Ana
Immensely subtle arrangements, exquisitely beautiful songs, and, at its centre, a voice of quite remarkable expressive depth. With her second...
Reviewed by Peter Quinn in issue: June/2016
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