Chinatown
Wednesday, January 17, 2007
‘Forget it Jake, it’s Chinatown’ - Jerry Goldsmith became the composer for Roman Polanski’s greatest film to date Chinatown after the original score by Phillip Lambro was rejected, writing the music in only 10 days. Its magnificent jazz-blues theme is an important part of this classic homage to 1940s film noir, says Selwyn Harris
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