Not for nothing did Christian McBride recently describe singer Wade as “the second coming of Betty Carter”. Hearing the master bassist himself pop up to deliver a piece of well-wrought spoken word may turn a few heads but the artist herself does indeed substantiate that claim with a performance of strength and sensitivity. With a theme as rich as the oeuvre of Gil Scott-Heron and Brian Jackson – extra brownie points awarded for the inclusion of the latter, an integral part of the music of the ‘godfather of rap’ who is often forgotten – Wade has some truly wonderful compositions to work with. She and producer Mark Ruffin have highlighted Scott-Heron and Jackson's gifts as fine artists at the cusp of soul and jazz, drawing liberally on Stevie and Marvin but retaining Trane's spirit, and the gorgeous acoustic textures at times come close to classic Strata East fare. Crucially, Wade shows the necessary composure to let the majestic themes float into existence, and the inclusion of Stefon Harris' vibraphone is an inspired choice for the way it enhances this levity. There are many highlights to choose from but the readings of ‘Ain't No Such Thing As A Superman’, ‘Peace Go With You Brother’ and ‘I Think I'll Call It Morning’ are excellent. Having also done the arrangements Wade confirms that she is a musician and composer of some substance and it would be interesting to hear her present her own material in the near future.