Dave Brubeck Trio featuring Cal Tjader: Complete Recordings

Rating: ★★★★

Record and Artist Details

Musicians:

Grant Green (g)
Horace Parlan (p)
Stanley Turrentine (ts)
Paul Chambers (b)
George Tucker (b)
Art Taylor (d)
Al Harewood (d)
Tommy Flanagan (p)

Label:

Groove

February/2018

Catalogue Number:

Hut GH66724

RecordDate:

1961

This is a welcome reissue and that makes you wonder why no-one had thought of doing it before. This is a young Dave Brubeck, fresh from war service in Europe and study under the G.I. Bill at Mills College in Oakland, California under Darius Milhaud. The music in this collection comprises two complete LPs, originally released on the Fantasy label: The Dave Brubeck Trio featuring Cal Tjader and Brubeck/Tjader – The Dave Brubeck Trio. This is the trio Brubeck led prior to a serious swimming accident in Hawaii that preceded the formation of the Dave Brubeck Quartet with alto saxophonist Paul Desmond. Tjader was a fellow student at Mills College under Milhaud, and it was here that Brubeck formed an octet with fellow students. What is remarkable is how this group actually anticipated the Birth of the Cool sides, since the octet recorded in 1946 and 1948 for Fantasy (Birth of the Cool was recorded in 1949/50). Two of those tracks are included here – ‘Laura’ and ‘How High the Moon’ and it seems remarkable how jazz history has passed this band by. Tjader and Crotty were both octet alumni, while Brubeck’s playing here across 24 trio tracks reveals how almost fully-formed his playing was in 1949 and 1950, when these tracks were recorded – for example ‘Blue Moon’ was polytonal, ‘How High the Moon’ is approached as a fugue (as it was by the Octet) and frequently Brubeck can be heard in polyrhythmic excursion. As the critic and producer John Hammond wrote of Brubeck at this time, “a new figure in jazz to whom the terms ‘progressive’ and radical may be justly applied… a brilliant technician… a trailblazer in music, uncompromising in his standards.” Sadly, it was only after his death that these elements of his musical personality began to be fully appreciated.

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