Ella Fitzgerald and Louis Armstrong: Ella and Louis: The Complete Norman Granz Sessions
Editor's Choice
Author: Alyn Shipton
View record and artist detailsRecord and Artist Details
Musicians: |
Billy Kyle (p) |
Label: |
One |
Magazine Review Date: |
March/2017 |
Catalogue Number: |
59805 |
RecordDate: |
1956-57 |
This 3CD set brings together the two albums that Ella and Louis made with the Oscar Peterson Quartet (with either Buddy Rich or Louie Bellson added to the Ellis/Brown edition of the trio), plus the version of music from Gershwin's Porgy and Bess that they made with Russell Garcia. The two Peterson albums were most recently out again from Essential Jazz Classics, and it's only a couple of years since Verve reissued Porgy in a budget edition. However, this set brings the whole lot together, and adds a pair of tracks from a Hollywood Bowl All Stars concert where Ella and Satch teamed up the day before making the original Ella and Louis sessions. One might wonder why One records didn't go the whole hog and add the earlier collaborations that the two principals had done for Decca in 1946 with Bob Haggart, as there's some spare running time left on the third and final disc. Nonetheless, this is a treat, and it is good to have all of the studio material done for Granz under one roof. If you don't have this, it's more or less an essential purchase, and one of the most joyous examples of music-making ever done by either star. The informal soundcheck of ‘Stompin’ at the Savoy’, the coyness of Ella's ‘I Won't Dance’ and the at-the-mike romance of ‘Don't Be That Way’ are all great moments, to which must be added the sheer dazzling, ethereal beauty of ‘Autumn in New York’, which is one of the finest tracks either recorded. There might be better versions of some individual tracks done by other singers, but as a body of work, this is pretty much unsurpassed.

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