Hubert Laws: Crying Song/Afro-Classic/The Rite of Spring

Rating: ★★★★

Record and Artist Details

Musicians:

Bobby Wood (p)
Hubert Laws (f)
Gene Bertoncini (g)
Airto Moreira (perc, v)
Bobby Emmons (org)
Bob James (ky, syn)
Reggie Young (g)
Wally Kane (bassoon)
Grady Tate (d)
Billy Cobham (d)
Stuart Scharf (g)
Dave Friedman (vib, perc)
Gene Chrisman (d)
Jack DeJohnette (d, p)
Ron Carter (b)
Mike Leech (b)
George Benson (v, g)
Jane Taylor (bassoon)

Label:

BGO Records

November/2014

Catalogue Number:

BGOCD1149

RecordDate:

23-24 July and 23-24 September 1969; December 1970; June 1971

What a fascinating little time-capsule this double-CD reissue is. The three albums, recorded for Creed Taylor's CTI label between 1969 and 1971, show flute-toting musical explorer Hubert Laws initially flirting with the three-minute pop format (on Crying Song) before launching into much more ambitious improv-based classical territory (Afro-Classic, The Rite of Spring). The middle disc is the best sustained of the three, although there are psychedelic pleasures to be found throughout: try ‘Crying Song’ (from the album of the same name), originally written and performed by Pink Floyd for their soundtrack album to the 1969 film More; James Taylor's ‘Fire and Rain’ from Afro-Classic; and ‘The Rite of Spring’, again from the album of the same name – Stravinsky meets In a Silent Way with just a hint of The Doors. The takes on ‘Sing a Rainbow’ and The Beatles' ‘Let It Be’ don't achieve lift-off in quite the same way, and the Baroque-jazz of the various Bach adaptations can feel a bit polite. Still, the set is full of charms and chops – just take a look at the list of sidemen.

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