Wayne Marshall/WDR Funkhausorchester: Born to Play, Gershwin
Author: Alyn Shipton
View record and artist detailsRecord and Artist Details
Musicians: |
Rolando Villalón |
Label: |
WDR |
Magazine Review Date: |
November/2020 |
Media Format: |
CD, DL |
Catalogue Number: |
8553007 |
RecordDate: |
2015-2019 |
Wayne Marshall has always occupied a niche between jazz and classical music, while extremely accomplished in both genres. He's recorded solo keyboard jazz work, and is also one of the world's finest classical organists. For the last 10 years he has been chief conductor of the WDR Funkhuasorchester in Cologne.
This CD – whose title is a slight misnomer, as four tracks are Paquito D’Rivera's compositions – is his farewell to the orchestra as he resumes his solo career. And the CD itself sits between jazz and classical music, with the most overtly jazz-orientated material coming in D’Rivera's ‘Brazilian Fantasy’, featuring the composer on clarinet, and arranged by pianist Daniel Freiberg. D’Rivera's gorgeous tone is at its best on the opening ‘Corcovado’, ushered in by the sumptuous tenor of Andy Miles. Then comes a set of Gershwin overtures, more jazz source material than jazz itself, with ‘Girl Crazy’ the best of the three. But it is Marshall's own pianism on ‘Rhapsody in Blue’ (in the 1927 Grofé arrangement for Paul Whiteman) and – even better – the ‘Rhapsody No. 2 for Piano and Orchestra’ that brings the disc to life. I have a soft spot for the composer's own 78 of ‘Rhapsody in Blue’ (with Whiteman) and grew up with that and the Bernstein Columbia SO version. It is fair to say that Marshall is somewhat less romantic than either. But his energetic, nay dazzling, reading of the ‘Rhapsody No 2’ is worth the price of the disc alone.
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