Reviews
Lars Gullin: Baritone Sax/Lars Gullin Swings
Two of the Swedish baritone star's finest 1950s sets (on which altoist Arne Domnerus also shines), which would form the...
Reviewed by Alyn Shipton in issue: May/2016
Evan Parker/Seymour Wright: Tie The Stone To The Wheel
Evan Parker has been playing this kind of music for so long now that he doesn't so much use extended...
Reviewed by Daniel Spicer in issue: May/2016
Péter Rozsnyói Trio: Pain of an Angel
The Budapest Music Center which has a pivotal role in promoting quality new Hungarian jazz, releases an easy going swingin’...
Reviewed by Selwyn Harris in issue: May/2016
Brötzmann/Hopkins/Ali: Songlines
Peter Brotzmann | Rashied Ali | Fred Hopkins
Timely reissue of a trio session that places the spotlight on an indefatigable legend, Brötzmann, and two brilliant Trane and...
Reviewed by Kevin Le Gendre in issue: May/2016
Dave Grusin: Piano, Strings and Moonlight
Because Grusin is such a capable pianist and his trio with Milt Hinton and Osie Johnson so polished, their jazz...
Reviewed by Alyn Shipton in issue: May/2016
Anne-Maris Giørtz: Capital Punishment for Cars
A Norwegian post-new wave jazz art singer/spoken word artist records a set of tenderly atmospheric takes on the songs and...
Reviewed by Selwyn Harris in issue: May/2016
Michel Legrand: Bonjour Paris
Not really the jazz side of Legrand, but his evocative cinematic writing designed to evoke the atmosphere of the French...
Reviewed by Alyn Shipton in issue: May/2016
Chet Baker-Bud Shank: The James Dean Story
Whereas in these take-the-money-and-run times, the premature death of a star can be viewed as a good career move (Elvis...
Reviewed by Roy Carr in issue: May/2016
Linda Sharrock: (In) The Abyssity Of The Grounds – Gods
Linda Sharrock | Mario Rectern | Margaret Unknown | Theresa Eipeldauer | Didi Kern
Primarily recognised as the remarkable voice that accompanied her late husband Sonny Sharrock's electric guitar on such free jazz epics...
Reviewed by Edwin Pouncey in issue: May/2016
Pete McCann: Range
The New York guitarist's fifth recording as leader is a mild, reflective version of contemporary jazz rock/post-bop with a set...
Reviewed by Selwyn Harris in issue: May/2016
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