Roger Beaujolais - Vibes
- Friday, February 28, 2003
“I should really get those brakes adjusted,” says Beaujolais, commenting on his set of fine Musser vibes.
“I should really get those brakes adjusted,” says Beaujolais, commenting on his set of fine Musser vibes.
“‘Fletcha’, come down and play some drums”. “Ronnie Scott would call me when he was getting his chops back together after the operation. We had some great moments – Ronnie and I playing just sax and drums in the club on an afternoon. He could have called up anyone in the world – he had everybody’s number. But I got the call, I felt really honoured.”Fletcher clearly felt the rhythmic need from an early age. “My dad was a drummer who did working gigs and stuff, but gave up when I was about nine...
Running through Salmins’ working CV is akin to dropping in on a who’s who of contemporary music: Bacharach, Elton John, Madonna as well as a raft of jazz greats including Hank Crawford, Herb Ellis and James Moody – the list goes on.
“I got into bass when I started to pick music apart,” says Høiby.
“I see music as a language”, says Neame, “and I’ve always been fascinated by languages and the way people express themselves.
“One of my lady friends sat on my horn the other day,” says Jay Phelps a tad suggestively.
Deppa used to refer to himself as “the cymbalman” and with good reason.
“I started out in a marching band which doubled as a carnival band,” says Orphy Robinson.