Features

Diana Krall – Standing in the Smoky Haze

Diana Krall has often walked a fine line between consummate jazz performer and canny crossover artist, not least with her recent vaudeville, jazz and blues inspired album Glad Rag Doll, and now even more so with Wallflower – her classy new, string-laden record peppered with songs by The Mamas & the Papas, Paul McCartney and Bob Dylan.

Cécile McLorin Salvant – Something Old, Something New

In a world obsessed with looking back instead of forward extraordinary jazz singer Cécile McLorin Salvant is something of a paradox: a deeply soulful virtuoso capable of taking 100 year old songs and making them sparkle anew.

Alexi Tuomarila – Drifter’s escape

One of the most talented jazz musicians of his generation, in 2003 it seemed only a matter of time before Alexi Tuomarila became a major name in jazz.

Lizz Wright – Finding Freedom

Vocalist Lizz Wright has come along way in the 12 years since her startling debut Salt, traversing her own soul and gospel fuelled path, driven by a heartrending voice, across four stunning albums.

Robert Glasper – Breaking Cover

Robert Glasper’s recent double Grammy Award wins for his two Black Radio albums have capped an 11-year career that has not just seen him break through to the mainstream like few other jazz artists today, but has also seen Glasper forge deep bonds between today’s jazz, R&B and hip-hop scenes.

Sons of Kemet – Rhythms of Remembrance

Sons of Kemet – the supercharged double-drums, tuba/sax four-piece led by clarinettist and saxophonist Shabaka Hutchings – arrived with a bang in 2013 with their aptly-titled, incendiary debut album, Burn.

Ivo Neame – Keys to the Highway

A pivotal pianist with acclaimed groups Phronesis and Kairos 4tet, and keyboardist with Norwegian sax star Marius Neset, Ivo Neame is increasingly stepping out as a solo artist.

Ginger Johnson – Talking Head

When Nigerian master drummer Ginger Johnson arrived in London in 1943 he immediately stood out from the crowd – not just because of the distinctive reddish tinge to his hair that earned him his nickname – but for his ability to create a dazzlingly polyrhythmic blend of African music and jazz.

EST – Three Falling Three

Just months before Esbjörn Svensson died aged just 44 in 2008, EST – the groundbreaking and hugely influential piano trio that Svensson formed with Dan Berglund and Magnus Öström – recorded a great deal of material in a Sydney studio.

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