Recorded in just four hours, Liane Carroll’s new album, ironically titled Slow Down, underlines just what the singer/pianist has achieved over a career that saw her begin singing as a teenager. Something of a “best kept secret” for much of her career it’s only in the last few years, as Peter Quinn explains, that Liane has got the recognition that she deserves.
The name Gwilym Simcock has been on everyone’s lips on the UK jazz scene over the last few years. The pianist emerged fully formed after a dazzling spell at music college with a firm classical and jazz grounding and then quickly found his feet winning prizes, playing with legendary jazz figures like Kenny Wheeler and Dave Holland and quickly making a reputation for himself as an extraordinary new talent, making him the most talked about pianist in the UK since the early days of Django Bates....
One of the most respected musicians of his generation John Etheridge has never been one to restrict himself to one musical context. His career has seen him in a multitude of musical situations from playing with Soft Machine to French violin legend Stéphane Grappelli to his Zappa project the Zappatistas and with classical guitarist John Williams. As the latest release by the Soft Machine Legacy band is released, Duncan Heining looks back with John on some career highs and one or two lows.
Bobby Hutcherson stands tall in the pantheon of the vibraphone in jazz, his name is up there will all the greats stretching back to Lionel Hampton and Milt Jackson and inspiring later generations of players such as Orphy Robinson and Stefon Harris. In a rare interview, Hutcherson talks to Keith Shadwick about his heyday with the Blue Note label, the great friendships he built up with Andrew Hill and Eric Dolphy and the way his music has developed over a long career in jazz
Pianist and composer Julian Joseph embarks this month on the premiere of his most ambitious project to date, a jazz opera called Bridegetower, commissioned by the City of London Festival and English Touring Opera, inspired in part by the 200th anniversary of the abolition of transatlantic slavery, with a libretto by writer Mike Phillips.
As John Coltrane moved to the last phase of his career embracing the adventurous spirit of the New York avant garde, drummer Rashied Ali was there at the heart of his new thinking with his “multi-directional” drumming and non standard approach that altered the course of Coltrane’s music as it reached its great peak on the album Interstellar Space. Since Coltrane’s death Rashied Ali’s career has, like the course of the avant garde itself, seen its peaks and troughs alternating with periods of...
Iain Ballamy emerged from the seminal 1980s big band Loose Tubes as one of the stars of his generation of UK jazz musicians. A dazzling soloist with a recognisable sound and a soft “English” sense of playing, equally capable of responding to the humour and eccentricity of his homeland as much as possessing the ability to deliver a Coltrane-inspired solo line just as a leading American player could do. As his solo career developed he made his name with the inspired records Balloon Man and All...
There’s a certain style, swagger and above all sassiness about Claire Martin that has endeared her to jazz fans for many years now. Her ability to interpret lyrics while swinging hard has secured her position at the top of the tree among jazz singers in the UK. For her latest album, He Never Mentioned Love, she pays tribute to one of her singing idols, Shirley Horn, for a sincere tribute that features Martin at her very best. Jane Cornwell talks to Claire as she prepares to fly to New York for a...
Robert Glasper is trying to do what only a few brave souls have tried, to integrate hip hop with jazz. But unlike others who have failed to make the two different musical forms work together, his steady progress in this direction has achieved critical success in the States and beyond. With his new record, In My Element, he takes the most basic of jazz units, the trio, to use as his tool to take the music forward and make it live. Interview: Andy Robson
There are echoes of Centipede, that remarkable super sized free jazz orchestra, in the release this month of Keith Tippett’s Tapestry orchestra recording Live At The Le Mans (First Weaving). With an extraordinary coming together of heavyweight British and European free improvisers and the added fizz of a live performance, the old spirit of the great pianist Keith Tippett is there for one and all nearly 40 years after his career in music first began. Duncan Heining talks to Tippett about a...
