Perelman/Stein: Spiritual Prayers
Ivo Perelman | Jason Stein | Rudi Mahall
Saxophonist Perelman's decision to swap regular collaborators such as pianist Matthew Shipp, doublebassist William Parker and drummer Whit Dickey, for...
Reviewed by Kevin Le Gendre in issue: November/2018
Steve Gadd/Eddie Gomez/Ronnie Cuber/The WDR Big Band: Center Stage
As big band leader and rising star Olivia Murphy has lamented, the UK lacks standing bands like the Danish Radio...
Reviewed by Andy Robson in issue: October/2022
Stan Getz: Stan Getz At Large
Daniel Jordan | Jan Johansson | Stan Getz | William Schiøpffe
Musically, we probably know all that needs to be known about Stanley and his Scandinavian escapades. All good stuff, with...
Reviewed by Roy Carr in issue: November/2012
Various Artists: Heart of Mine: Songs Of Ross Lorraine
I first came across the songwriting of Ross Lorraine on Day Dawns, the wonderful debut album by Melissa James (reviewed...
Reviewed by Peter Quinn in issue: August/2022
Keith Jarrett: La Fenice
Since his Radiance album and his Tokyo Solo DVD of 2002, Jarrett began breaking away from the notion of a...
Reviewed by Stuart Nicholson in issue: Feb/2019
Oscar Peterson Trio: Live from Chicago
These sessions recorded at the London House in Chicago in July 1961 are among the best the trio with Ray...
Reviewed by Alyn Shipton in issue: Dec/Jan/2018/2019
Adam Glasser: Mzansi
This South African-reared harmonica/keys player brings the joys of Township jazz to his London home with a new album of...
Reviewed by Selwyn Harris in issue: Dec/Jan/2012/2013
Machine Mass: Plays Hendrix
A mainly full-on psychedelic but not-so-charming workout by a power guitar trio with a homage to Hendrix that mixes torrential...
Reviewed by Selwyn Harris in issue: September/2017
Wellstone Conspiracy: Humble Origins
Seattle lite pianist-composer Bill Anschell leads an unexceptional blowing quartet session....
Reviewed by Selwyn Harris in issue: February/2012
The Cannonball Adderley Quintet: Classic Albums 1959-60
For many, this is where the story really begins. Though Adderley had been recording regularly since 1955, it was immediately...
Reviewed by Roy Carr in issue: July/2017
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