Nate Wooley: Knknighgh
Brandon Lopez | Chris Pitsiokos | Dre Hocevar | Nate Wooley
This line-up of trumpet, alto saxophone, bass and drums clearly invokes the Ornette Coleman Quartet of the late 1950s/early 1960s:...
Reviewed by Philip Clark in issue: November/2017
Jamie Saft: Solo a Genova
Following the artistic success of Saft’s collaboration with Steve Swallow and Bobby Previte on RareNoise’s The New Standard and Loneliness...
Reviewed by Stuart Nicholson in issue: March/2018
Solstice: Alimentation
Brigitte Beraha | Dave Manington | George Hart | Jez Franks | John Turville | Tori Freestone
For over a decade now, the E17 jazz collective has been the wellspring of creative music partnerships among young musicians...
Reviewed by Selwyn Harris in issue: March/2017
Benito Gonzalez: Sing to the World
Encountering Venezuelan pianist Benito Gonzalez as an exciting McCoy Tyner-steeped thirtysomething with Kenny Garrett's band at Ronnie's in 2006, it...
Reviewed by John Fordham in issue: July/2021
Nina Simone: Little Girl Blue
Nina Simone's finest early work from Bethlehem has been out on loads of labels since, but it remains a classic,...
Reviewed by Alyn Shipton in issue: November/2014
Ron Magril: Until Now
Avshalom Meidan | Ofri Nehemya | Oren Hardy | Ron Magril
You can’t help but respect Magril for his classic diction and clarity of tone. This is a man whose art...
Reviewed by Andy Robson in issue: July/2022
Mike Clark & Michael Zilber: Mike Drop
Matt Clark | Michael Zilber | Mike Clark | Peter Barshay
I wanted to like this album more than I do. Clark is a player named in the press blurb as...
Reviewed by Peter Vacher in issue: August/2021
Grover Washington Jr: Sacred Kind Of Love: The Columbia Recordings
Even his most staunch defenders may well concede that, post- Winelight, the revered Philadelphia saxophonist has been in something of...
Reviewed by Kevin Le Gendre in issue: November/2019
Stan Getz: Autumn Leaves – 27 Standards
In much the same way as both Sinatra and Ella were consummate interpreters of what is commonly referred to as...
Reviewed by Roy Carr in issue: Dec/Jan/2011/2012
Christian Wallumrød Ensemble: Outstairs
Chritian Wallumrød’s progress on ECM since his debut in 1996 with No Birch has been one of gradual, sometimes imperceptible...
Reviewed by Stuart Nicholson in issue: October/2013
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