Charlie Parker: Five Classic Albums
The second half of Parker’s studio output was all done for Norman Granz, including the famous Afro-Latin sessions that are...
Reviewed by Brian Priestley in issue: May/2020
Carlos Garnett: The New Love/Cosmos Nucleus/Let This Melody Ring On
Although less well known than Billy Cobham, Carlos Garnett is the other Panamanian who came to prominence in the jazz...
Reviewed by Kevin Le Gendre in issue: May/2015
The Lightmen: Free As You Wanna Be
Houston may be synonymous with hard-honking horn players and heavy duty R'B but it's worth remembering that neighboring Fort Worth...
Reviewed by Kevin Le Gendre in issue: October/2018
Mark Murphy: Midnight Mood
Here’s the premier male jazz vocalist of his day in assertive form in front of an octet taken from the...
Reviewed by Peter Vacher in issue: April/2022
Vince Mendoza & the London Symphony Orchestra: Epiphany
One of Ted Gioia’s most interesting articles in his Honest Broker substack posts is a piece he did on arts...
Reviewed by Stuart Nicholson in issue: August/2024
Samara Joy: Linger Awhile
Ben Paterson | David Wong | Kenny Washington | Pasquale Grasso | Samara Joy McLendon
Released last year on Whirlwind, Samara Joy McLendon's debut album announced the arrival of a remarkable new talent, a vocalist...
Reviewed by Peter Quinn in issue: October/2022
Spontaneous Music Ensemble: Withdrawal
These important recordings represent some of the missing pieces in the Spontaneous Music Ensemble jigsaw that links their earliest recorded...
Reviewed by Edwin Pouncey in issue: September/2016
Donald Brown: Born to Be Blue
Donald Brown follows the classic Jazz Messengers recipe of strong horns, tight grooves and well-crafted arrangements and tweaks it with...
Reviewed by Mike Hobart in issue: July/2013
Oscar Pettiford: Oscar Pettiford 1958/1959
Pettiford is almost forgotten these days, despite being a huge influence on the next generation of bassists such as Paul...
Reviewed by Brian Priestley in issue: December/2020
Lou Bennett: Amen (& More)
The expatriate US organist on fine form in Paris in 1962 with Kenny Clarke and Jimmy Gourley, this mixes grits'n'gravy...
Reviewed by Alyn Shipton in issue: July/2017
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