Lou Marini: Starmaker
New York-based big session sax man (James Taylor, Blues Brothers, Dr John) has performed with Buddy Rich/Thad Jones too and...
Reviewed by Selwyn Harris in issue: November/2012
Sir Roland Hanna: This Must Be Love
Ben Riley | George Mraz | Sir Roland Hanna
Sir Roland Hanna was part of Detroit piano dynasty that included Tommy Flanagan, Hank Jones, Barry Harris, Kirk Lightsey and...
Reviewed by Roy Carr in issue: June/2015
Russell Malone: All About Melody
Luke Sellick | Rick Germanson | Russell Malone | Willie Jones
Malone's latest could as easily be titled ‘Message to Jim Hall’, one of this relaxed release's standout cuts. Like his...
Reviewed by Andy Robson in issue: November/2016
Thelonious Monk: Three Classic Albums Plus
Monk is on superior form in each of these original albums, namely The Unique T.M. (with Pettiford and Blakey), the...
Reviewed by Brian Priestley in issue: September/2019
Ollie Howell: Self-Identity
Ant Law | Duncan Eagles | Henry Spencer | Matt Robinson | Max Luthert | Ollie Howell
Ollie Howell swung through karmic extremes in 2009, distracted from the growing pain in his head by the patronage of...
Reviewed by Nick Hasted in issue: May/2017
Jazz At The Philharmonic: 1958-1960 Live in Paris
The common factor linking this 3CD concert collection is the location: Paris, with the Olympia and Salle Pleyel as alternating...
Reviewed by Peter Vacher in issue: July/2016
Luis Perdomo: Links
Dwayne Burno | Luis Perdomo | Miguel Zenón | Rodney Green
This record is a nice change of pace for the exceptionally talented Venezuelan pianist, and also for Puerto Rican altoist...
Reviewed by Tony Hall in issue: September/2013
Scott Reeves Jazz Orchestra: Without a Trace
A 10-year-old NYC big band in the post-Thad Jones lineage with a progressive harmonic approach (there's a 12-tone row piece,...
Reviewed by Selwyn Harris in issue: June/2018
Sonny Stitt: The Latin Sides
Two 1963 albums (Primitivo Soul and Stitt Goes Latin) originally out on Prestige and Roost show Stitt’s typically assertive sound,...
Reviewed by Alyn Shipton in issue: Dec/Jan/2017/2018
SEED Ensemble: Driftglass
Though Cassie Kinoshi is fully aware of 1960s American civil rights suites such as her alto icon Jackie McLean’s It’s...
Reviewed by Nick Hasted in issue: March/2019
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