Stacey Kent: Songs From Other Places
Some day in the future, a keen scholar of the music will write a fabulous PhD about all of the...
Reviewed by Peter Quinn in issue: November/2021
Simon Nabatov/Barry Guy/Gerry Hemingway: Luminous
Keenly atmospheric collective free-improv from a virtuosic line-up that gets the balance just right between pianist Nabatov’s unpredictable melody-driven twists...
Reviewed by Selwyn Harris in issue: April/2019
ENEMY: Enemy
James Maddren | Kit Downes | Petter Eldh
ENEMY's music fills me with a mix of wonder and fear. The compositions on this, their debut release as a...
Reviewed by Thomas Rees in issue: May/2018
Chantler/Noble/Wright: Atlantis
Stockholm-based synth player John Chantler and his free improv trio of British drummer Steve Noble/ saxophonist Seymour Wright offer very...
Reviewed by Selwyn Harris in issue: April/2020
Pat Martino Quartet: Undeniable — Live at Blues Alley
Eric Alexander | Jeff “Tain” Watts | Pat Martino | Tony Monaco
Fifty years ago, when he was a skinny, hollow-cheeked 17-year-old newcomer in Willis “Gator Tail” Jackson's Harlem-based combo, Pat Martino...
Reviewed by Jack Massarik in issue: Dec/Jan/2011/2012
Gilfema: Three
Ferenc Nemeth | Lionel Loueke | Massimo Biolcati
All good things come round again. Three is the trio’s first album in a dozen years but there’s a nary...
Reviewed by Andy Robson in issue: May/2020
Matthew Halsall & The Gondwana Orchestra: Into Forever
Gavin Barras’ double bass is the engine that drives this latest from Manchester-based trumpeter, Matthew Halsall. Each tune is built...
Reviewed by Daniel Spicer in issue: October/2015
Notilus
This French five-piece offer a peculiar sounding mixture of Mike Oldfield-esque arpeggiated synth and more cutting electronica with Milesian ideas...
Reviewed by Selwyn Harris in issue: September/2017
Clifford Jordan: Complete Strata-East Sessions
Despite working for Mingus and Max Roach among many others, Jordan never achieved the recognition he deserved for his tenor...
Reviewed by Brian Priestley in issue: April/2014
Pulcinella: Bestiole
Even now in the 21st century, it's hard to imagine a musical instrument more instantly and overwhelmingly evocative of France...
Reviewed by Daniel Spicer in issue: August/2014
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