Reviews
Henry Threadgill Zooid: Tomorrow Sunny/The Revelry
Given the gulf that exists between the populist and the esoteric in music today, any artist with a sufficiently strong...
Reviewed by Kevin Le Gendre in issue: October/2012
Charlie Parker: Plays Cole Porter
Bird's final recording for Verve, released after his death in 1955, was one of Norman Granz's first ‘songbook’ projects, augmented...
Reviewed by Alyn Shipton in issue: October/2012
Daniel Herskedal/Marius Neset: Neck of the Woods
Svanholm Singers | Daniel Herskedal | Marius Neset
While the jazz world awaits Marius Neset's imminent follow up to last year's highly-rated Golden Xplosion, here's a little appetiser...
Reviewed by Selwyn Harris in issue: October/2012
Album Interview: Van Morrison: Born to Sing: No Plan B
Van Morrison has jazz in his blood, only a fool would think otherwise, and Born to Sing is the latest...
Reviewed by Stephen Graham in issue: October/2012
Brad Mehldau Trio: Where Do You Start
Jeff Ballard | Larry Grenadier | Brad Mehldau
As the Keith Jarrett of his generation, the acme of jazz piano for Generation X-ers just as the savant from...
Reviewed by Stephen Graham in issue: October/2012
Kevin Coelho: Funkengruven
This 16-year-old Californian Hammond organist makes an early start in a regular B3 trio set of originals and funk, soul...
Reviewed by Selwyn Harris in issue: October/2012
Vincent Bourgeyx: Hip
A Bordeaux, New York-based piano trio featuring drummer Andre Ceccarelli play a nicely-paced, often softly swinging, postbop set of standards...
Reviewed by Selwyn Harris in issue: October/2012
Freddie Hubbard: High Energy
Freddie fusion is frankly a difficult proposition for a lot of jazz fans, and this three-album-on-two CD-set may make the...
Reviewed by Kevin Le Gendre in issue: October/2012
Ivo Neame: Yatra
Recorded in Neasden rather than in an ashram, with the roar of the North Circular road only a sharp intake...
Reviewed by Stephen Graham in issue: October/2012
Brew Moore: West Coast Brew
A musicians' musician, Moore was a fine Lester Young-inspired tenorist, in absolutely top form on these late-1950s recordings, particularly on...
Reviewed by Alyn Shipton in issue: October/2012

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