Reviews
Immanuel Wilkins: The 7th Hand
Following the buzz around his debut Omega released in 2020 on Blue Note, the 24-year-old Philadelphia born-and-raised alto saxophonist-composer Immanuel...
Reviewed by Selwyn Harris in issue: February/2022
Joe Venuti & Eddie Lang: Stringing The Blues – their 52 finest 1926-1933
Retrospective’s 2-CD selection of the music produced by these two Italian-American swing virtuosos together and occasionally, separately, is a welcome...
Reviewed by Peter Vacher in issue: February/2022
Mark Lockheart: Dreamers
Mark Lockheart | Elliot Galvin | Tom Herbert | Dave Smith
If jazz is the music of sweet certain surprise, then Lockheart is the man for you. His last two Edition...
Reviewed by Andy Robson in issue: February/2022
Christian Lillinger: Konus
Want to know what avant-jazz German drummer Lillinger got up to in lockdown? Then listen to this rather quirky one-man...
Reviewed by Selwyn Harris in issue: February/2022
Sinne Eeg & Thomas Fonnesbæk: Staying In Touch
To my shame, I have to admit that this is my first encounter with Danish singer Sinne Eeg. Where her...
Reviewed by Peter Vacher in issue: February/2022
Archie Shepp & Mal Waldron: Left Alone
Almost two decades have elapsed since the release of this gorgeous album, an object lesson in the art of the...
Reviewed by Kevin Le Gendre in issue: December/January/2021/2022
Nala Sinephro: Space 1.8
The debut album of Nala Sinephro – composer, harp and synthesizer player – is vast but not desolate, weaving a...
Reviewed by Christine Hannigan in issue: December/January/2021/2022
Sylvie Courvoisier & Mary Halvorson: Searching For The Disappeared Hour
Sylvie Courvoisier | Mary Halvorson
Swiss pianist and long-term Brooklyn resident Sylvie Courvoisier, and NYC guitarist Mary Halvorson first recorded together in 2017, releasing the...
Reviewed by Daniel Spicer in issue: December/January/2021/2022
Abdullah Ibrahim: Solotude: My Journey My Vision
Every solo concert by Abdullah Ibrahim is a journey, a pianistic monologue that tells stories from past and present and...
Reviewed by Alyn Shipton in issue: December/January/2021/2022
Chris Maddock: The Hunt EP
Sticking to a tried-and-tested format runs the risk of sounding too derivative but Birmingham Conservatoire grad saxophonist-composer Chris Maddock’s take...
Reviewed by Selwyn Harris in issue: December/January/2021/2022
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