Reviews
Quinsin Nachoff: Pivotal Arc
For this Canadian saxophonistcomposer's second Whirlwind release he presents a convincing if tough-going contemporary classical violin concerto (for virtuoso Nathalie...
Reviewed by Selwyn Harris in issue: September/2020
Dinah Washington: Four Classic Albums
Not sufficiently acknowledged these days, Washington was a huge influence in bringing a tinge of gospel into pop and jazz,...
Reviewed by Brian Priestley in issue: February/2020
Throttle Elevator Music feat Kamasi Washington: Emergency Exit
Spread out over the best part of 13 years the recording process I for this album suggests a birth complicated...
Reviewed by Kevin Le Gendre in issue: September/2020
Harry Beckett: Joy Unlimited
The late, great UK-resident Barbadian musician Harry Beckett had an instantly recognisable signature on the trumpet, a blend of vivacious...
Reviewed by John Fordham in issue: September/2020
Gregg August: Dialogues On Race Vol.1
Known for his work with Trane-stamped saxophonist J.D Allen among others, August is a talented bassist who also has substantial...
Reviewed by Kevin Le Gendre in issue: September/2020
Manfredo Fest: Brazilian Dorian Dream
Manfredo Fest was the Brazilian-born son of a German concert pianist, and a keyboard player, composer and bandleader who trained...
Reviewed by Jane Cornwell in issue: September/2020
Kristiana Roemer: House of Mirrors
This understated New York-based singer-songwriter has a softly confiding tone and writes reflective lyrics and some unexpected harmonic twists for...
Reviewed by Selwyn Harris in issue: September/2020
AuB
This young British two-tenor quartet may sport an enigmatic name (it's pronounced ‘orb’), and be inspired by Venn diagrams, in...
Reviewed by John Fordham in issue: September/2020
The Mike Westbrook Brass Band: The Paris Album
Mike and Kate Westbrook's archive is a rich record of six decades of Brit Jazz. Not that the couple and...
Reviewed by Andy Robson in issue: September/2020
Miles Davis: The Lost Septet
It's called the ‘Lost Septet’ because Davis never recorded formally in the studio with this band; this 2CD set was...
Reviewed by Stuart Nicholson in issue: September/2020
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