Reviews
Various Artists: Jazz – 10 Classic Albums
Long long ago Tony Blackburn proudly revealed that he didn’t like jazz before adding that he was a huge fan...
Reviewed by Roy Carr in issue: March/2016
Ferit Odman: Dameronia With Strings
Terell Stafford | Danny Grissett | Ferit Odman | Peter Washington | David O’Rourke
Thirty-four-year-old Odman is a new name to me, but this stalwart of the Turkish scene already has two previous CDs...
Reviewed by Brian Priestley in issue: March/2016
Ken Fowser: Standing Tall
First release as leader for the young tenor saxophonist Ken Fowser with an unpretentiously derivative New York-based quintet with compositions...
Reviewed by Selwyn Harris in issue: March/2016
Mike Westbrook & Company: The Uncommon Orchestra A Bigger Show Live
It shouldn’t be allowed. At an age when they should be revelling in their Freedom Passes, the Westbrooks refuse to...
Reviewed by Andy Robson in issue: March/2016
Kenny Burrell: The Road To Love
Burrell, among the most prolific of recording artists and a true virtuoso of the jazz guitar, has been heard less...
Reviewed by Peter Vacher in issue: March/2016
Dollar Brand: Plays Sphere Jazz
Jonas Gwangwa | Hugh Masekela | Kippie Moeketsi | Makaya Ntshoko | Johnny Gertze | Dollar Brand
A fascinating peek into the early South African career of Brand, aka Abdullah Ibrahim, these recordings precede by three years...
Reviewed by Brian Priestley in issue: March/2016
Avishai Cohen: Into the Silence
Bill McHenry | Nasheet Waits | Avishai Cohen | Yonathan Avishai | Eric Revis
The bushy bearded trumpeter from New York is the lesser known of the Israeli jazz Avishai Cohens. But that might...
Reviewed by Selwyn Harris in issue: March/2016
Bill Frisell: When You Wish Upon a Star
Petra Haden | Bill Frisell | Eyvind Kang | Rudy Royston | Thomas Morgan
As with his previous 2014 release Guitar in the Space Age, Bill Frisell continues to mine 1950s-60s popular music culture...
Reviewed by Selwyn Harris in issue: March/2016
David S. Ware: Apogee/Birth Of A Being
Cooper Moore | David S. Ware | Marc Edwards
Although the substantial body of work that Ware amassed in the latter part of his life more than suffices to...
Reviewed by Kevin Le Gendre in issue: March/2016
Esperanza Spalding: Emily’s D+ Evolution
“Nobody has to know the moral of my show,” Esperanza Spalding sings on ‘Funk the Fear’, and fusillades of fresh...
Reviewed by Nick Hasted in issue: March/2016
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