Steve Coleman and Five Elements fire-up at CBSO Centre, Birmingham
- Wednesday, December 3, 2014
The Chicago altoist Steve Coleman has distilled his source material down to an essential four or five notes, together with a linking rhythm and stress.
The Chicago altoist Steve Coleman has distilled his source material down to an essential four or five notes, together with a linking rhythm and stress.
There are those singers who like to experiment with sound or put a highly “personal” slant on material and those whose delivery is less idiosyncratic, respecting the songwriter’s craft with its emphasis on telling a story, but at the same time not losing individuality.
Less than 24 hours after the finale of this year’s EFG London Jazz Festival you would have thought that live jazz would have been the last thing on most Londoners’ minds.
Having grown through the repressive times of the Soviet Union, when foreign artists had to be minibussed from the all-seeing-eye of Moscow to the Lithuanian capital, this festival, now in its 27th edition, does not want for either large, passionate, engaged audiences or adventurous programming.
Playing the night after the close of the London Jazz Festival may be the shortest of short straws for many musicians fearful of possible audience exhaustion following ten days of gigs.
Thomas Rees swings by Dalston’s Brilliant Corners for the second event in their innovative Played Twice series, a new live music night where atmosphere and sound quality are everything and jazz cliché is left at the door Last week during the EFG London Jazz Festival – as Tomasz Stańko took the stage at the Barbican, Chucho Valdés played to a sell out crowd at Kings Place and John McLaughlin rocked the Royal Festival Hall – a bar on Kingsland High Road held a gig that was every bit as momentous.
I would have been lying if I’d said I was in the mood for this.
Nevers, in the very heart of France on the banks of the wide, fast flowing Loire, has a long history (28 years to be precise) as the location of one of the country’s most respected jazz organisations.
Just a few days prior to this concert, the Branford Marsalis Quartet set the same stage alight with as incendiary an opening salvo for the EFG London Jazz Festival as could have been hoped for.
Three-quarters of the way through a 40-date UK tour that has already taken on legendary status, the Nigel Price Trio augmented by tenor-saxophonist Vasilis Xenopoulos made their way to Lauderdale House in Highgate for gig No.