Colin Stetson fires up at Dingwalls
- Wednesday, July 30, 2014
On stage, man and machine lock in fractured harmony.
On stage, man and machine lock in fractured harmony.
Passers by on Battersea High Street on a warm summer evening, hearing the sweet energy of a guitar and a violin in full flight on a warm summer evening, stopped to listen as Fapy Lafertin’s guitar and Hannah Bienert’s violin entwined, parted, teased and cajoled before bringing Lapertin’s Cinzano – an exhilarating coupling of fast jazz waltz and czardas - to a soaring conclusion.
Anticipation was biting the diners and drinkers circling the stage, and up there waiting for Dave Holland and his band to plug in and find their positions under the heavy spots, the club's compare was informing the floor that the double bassist's debut at Ronnie's was in fact with Miles Davis in 1969, the finer details of which, he explained, "Dave would probably go through later.
The Danish word ‘hugeligt’, which loosely translates as cosy, is a perfect way to describe the small but perfectly formed city of Aarhus.
With the proliferation of jazz festivals in recent times you would be less likely to raise an eyebrow if the programme from one of the newer promoters were to heavily featured non-jazz acts.
The 35th Montreal Jazz spectacular offered what it always does, opportunity and encouragement to hook up the A-team, whatever project is in the works, show us its optimal incarnation.
House is synonymous with dance.
This superlative live soundtrack was a highlight of the PRSF/South Bank Centre initiative ‘New Music Biennial’, which presented 20 brand new compositions across a wide range of genres.
The ultra-stylish Kit Packham’s One Jump Ahead band is now 30 years old.
Last year’s Glasgow Jazz Festival finished with a desolately sad Bobby Wellins filling the Sunday slot he was meant to headline with Stan Tracey, who had cancelled that morning, the cancer which would kill him, we now know, just beginning to bite.