Moonlight Saving Time Flying High at Bristol’s BeBop Club
- Thursday, April 24, 2014
It was a hometown gig at Bristol’s BeBop Club for Moonlight Saving Time to launch the long Easter weekend.
It was a hometown gig at Bristol’s BeBop Club for Moonlight Saving Time to launch the long Easter weekend.
The charismatic bandleader is an abiding jazz archetype.
It felt fitting that this gig fell on the same day as the London Marathon, because, while they’re finely crafted (if not a little formulaic) compositions, Hiromi’s winding jazz-rock suites often threatened to become aural endurance tests.
Space: the final frontier.
You could argue that it's easier to premier a project than to take it on a successful second outing, particularly when that premier is a wonderfully eccentric tribute to Charlie Parker that left critics salivating and a packed Albert Hall in raptures.
Much has been made of Robert Glasper's R&B and hip hop leanings and of his gradual drift away from jazz and the acoustic setting of the piano trio towards the heavy, electronic grooves of the Robert Glasper Experiment.
Jack Pine has been running his in-house concerts under the banner of Jazz Direct for some years now.
There cannot be many musicians who live within a stone’s throw of a great cathedral, where not only can they partake of worship, but also have the opportunity to sing with its choir.
Part of the ‘City Sessions’ programmed by the Vortex that bring creative music to the heart of London’s financial district, this gig comes with layers of irony.
Way back, Pizza on the Park was the go-to place for sophisticated jazz and cabaret.