Edward Simon with Afi nidad & Imani Winds: Sorrows & Triumphs
Venezuela-born, US-based pianist-composer Edward Simon is, according to JazzTimes, “less talked about than many other important jazz pianists from the...
Reviewed by Robert Shore in issue: September/2018
Al Di Meola: Land of the Midnight Sun
Still barely 21, this was Di Meola's much-anticipated first solo outing. As a teen he'd seemingly come from nowhere to...
Reviewed by Andy Robson in issue: March/2014
Andrew Hartman: Compass
This NYC-based Cincinnati guitarist pledges allegiance to the Rosenwinkel/Metheny school of lyrical contemporary cool without really adding much of his...
Reviewed by Selwyn Harris in issue: July/2017
Ernest Dawkins: Afro Straight
A new CD from veteran AACM saxophonist Dawkins' new group on the reliable Chicago Delmark label is unexpectedly on a...
Reviewed by Selwyn Harris in issue: February/2013
Hot Lips Page: Feelin’ High & Happy 1928-1953
Bobby Hackett is quoted in the liner notes, saying that in the mid-1930s the up-and-coming Page was signed to an...
Reviewed by Brian Priestley in issue: September/2022
Rosie Turton: Rosie Turton's 5ive
Jazz re:freshed have established themselves as one of the engine rooms of the London scene in recent years. Through their...
Reviewed by Thomas Rees in issue: March/2019
Matthias Schriefl: Six, Alps & Jazz
Young German jazz trumpeter Matthias Schriefl came to fore in his native land fronting an outfit called Shreefpunk. The aforementioned...
Reviewed by Robert Shore in issue: June/2013
Beaver Harris/Don Pullen: 360º Experience: A Well Kept Secret
This meeting between free-jazz drummer Beaver Harris and piano player Don Pullen is a forgotten classic that, thanks to the...
Reviewed by Edwin Pouncey in issue: August/2018
Leo Gandelman: VIP VOP
London's hippest specialist Brazilian label likes to dig up hidden treasures and here's a saxophonist, better known in Brazil for...
Reviewed by Selwyn Harris in issue: August/2012
José James/Jef Neve: For All We Know
At first sight, José James’ major label debut appears to be a concession to easily packaged classicism: a singer, piano...
Reviewed by Kevin Le Gendre in issue: February/2015
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