Reviews
Miles Davis: The Lost Concert
Davis studiously avoided revisiting his distinguished past until the final year of his life. But on 8 July, 1991, amid...
Reviewed by Stuart Nicholson in issue: October/2021
Chris Speed: Light Line
Clarinet virtuoso Chris Speed makes a bold statement with an album of him playing completely solo. This ultra-minimalist approach isn't...
Reviewed by Kevin Whitlock in issue: October/2021
Broken Shadows
Dave King | Chris Speed | Tim Berne | Reid Anderson
Paying homage to Ornette Coleman isn’t something new for The Bad Plus, of which this band contains three - yes...
Reviewed by Selwyn Harris in issue: October/2021
Oregon: Oregon 74
Paul McCandless | Ralph Towner | Collin Walcott | Glen Moore
Live recordings by Oregon in their early years, prior to the release of the Winter Light album for Vanguard, are...
Reviewed by Alyn Shipton in issue: October/2021
Stephen Riley: I Remember You
This straightahead standards recording in which the Stan Getz-influenced tenor saxophonist Stephen Riley invited his former teacher Vic Juris to...
Reviewed by Selwyn Harris in issue: October/2021
Trøen-Armeson Quartet: Tread Lightly
Pianist Dag Armeson and flautist-saxophonist Elisabeth Lid Trøen lead us on a surpisingly lyrical tone journey that's redolent of Scandinavian...
Reviewed by Kevin Whitlock in issue: October/2021
Matthew Stevens: Pittsburgh
One pandemic bonus has been a rush of solo acoustic guitar recordings, not least from explorers like Gwenifer Raymond. Stevens...
Reviewed by Andy Robson in issue: October/2021
Ian Carr Double Quintet: Solar Session
This genre-stretching radio session, led by Ian Carr in October 1970 was for a double quintet built around the first...
Reviewed by John Fordham in issue: October/2021
Peter Knight and The Australian Art Orchestra: Crossed and Recrossed
Settle back and let the Australian Art Orchestra take you on a journey across an interior, through endless overlapping vistas...
Reviewed by Jane Cornwell in issue: October/2021
Falkner Evans: Invisible Words
Evans first made his name with the country band Asleep At The Wheel in the 1980s. Now New York-based, he’s...
Reviewed by Peter Vacher in issue: October/2021
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