Reviews
Wako: Live in Oslo
Especially since the millennium, Norway has been producing its own unique brand of left-field acoustic jazz as well as the...
Reviewed by Selwyn Harris in issue: July/2021
Harold Land: Westward Bound!
Make sure you don’t underestimate tenor saxophonist Harold Land. The perspicacious re-issue duo of Zev Feldman and Cory Weeds, who...
Reviewed by Stuart Nicholson in issue: July/2021
Jimmy Witherspoon: Live in London 1966
Some of the UK musicians who once backed Mr Witherspoon would not accuse the singer of being Mr Nice Guy,...
Reviewed by Stuart Nicholson in issue: July/2021
Tony Bennett: Five Classic Albums
Supposing for a moment that we abandon the ‘is he or isn’t he a jazz singer?’ debate and agree that...
Reviewed by Simon Spillett in issue: July/2021
Chris Sharkey: Presets
With the ever-expanding range of digital processing available creative electric guitarists inevitably explore the instrument's potential as a sonic generator....
Reviewed by Tony Benjamin in issue: July/2021
Barney Wilen: La Note Bleue
Born in Nice in 1937 and something of a musical prodigy, Barney Wilen was barely out of his teens when...
Reviewed by Kevin Whitlock in issue: July/2021
Fred Frith/Ikue Mori: A Mountain Doesn’t Know It’s Tall
Avant-guitarist Frith and sound artist Mori have worked together for years now and this collaboration, taped in 2015, is inspired...
Reviewed by Kevin Whitlock in issue: July/2021
Zane Carney Quartet: Alter Ego
Carney is a splendid guitarist (with a neat line in spiralling arpeggios and crunching chords) and on this outing as...
Reviewed by Kevin Whitlock in issue: July/2021
Ack Van Rooyen: 90
Recorded in his 90th year, the doleful-toned Dutch flugelhornist sounds just fine with an elegant bop-plus sextet playing tunes by...
Reviewed by Selwyn Harris in issue: July/2021
Horace Tapscott: Dial B For Barbara
Pure Pleasure continues its reissue programme of the music of Horace Tapscott, making it clear to all who have ears...
Reviewed by Kevin Le Gendre in issue: July/2021
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