Reviews
Charles Sepúlveda & The Turnaround: Songs For Nat
Charles Sepúlveda is multi-talented. He’s a striking trumpeter with a thick vibrato, a composer, a bandleader (The Turnaround is now...
Reviewed by Tony Hall in issue: March/2019
Scottish National Jazz Orchestra: Peter and the Wolf
The Scottish National Jazz Orchestra | Tommy Smith | Makoto Ozone | Tam Dean Burn
Aesthetically and artistically, a jazz version of Prokofiev’s Peter and the Wolf is a risky venture. But hats-off to Tommy...
Reviewed by Stuart Nicholson in issue: March/2019
David Birchall: Dusk
Tom Cawley | James Copus | Jason Brown | Conor Chaplin
These solo improvisations on nylon-string guitar find David Birchall in a decidedly mellow aspect. Nowhere to be found the cacophonous...
Reviewed by Spencer Grady in issue: August/2020
London Improvisers Orchestra: 20 Years On
In the tradition of such former free music ensembles as John Stevens’s The Spontaneous Music Orchestra, Cornelius Cardew’s Scratch Orchestra...
Reviewed by Edwin Pouncey in issue: March/2019
Cæcilie Norby: Sisters In Jazz
Prompted by an idea from ACT label owner Siggi Loch, this outstanding new recording from Danish vocalist Cæcilie Norby celebrates...
Reviewed by Peter Quinn in issue: March/2019
Cannonball Adderley: Swingin’ In Seattle: Live at The Penthouse 1966-1967
Roy McCurdy | Nat Adderley | Cannonball Adderley | Victor Gaskin | Joe Zawinul
In the current climate of rediscovered tapes, ‘lost’ recordings and archive trawling, fans of Cannonball Adderley might think themselves a...
Reviewed by Simon Spillett in issue: March/2019
Pat Bianchi: In The Moment
New Yorker Pat Bianchi originally trained as a classical pianist. Then he heard jazz, especially from contemporary organist, Joey DeFrancesco,...
Reviewed by Tony Hall in issue: March/2019
Émile Parisien Quartet: Double Screening
Julien Touéry | Ivan Gélugne | Émile Parisien | Julien Lotterier
In jazz, everything seems to go in cycles, and during the last couple of years, the Paris jazz scene has...
Reviewed by Stuart Nicholson in issue: March/2019
Nori: Bruise Blood
Nina Simone-influenced vocalist Akina Adderley fronts a rather dreary, monochrome-sounding young Texas band with a lightweight blend of folk, pop...
Reviewed by Selwyn Harris in issue: March/2019
Carlos Henriquez: Dizzy Con Clave
You can imagine the buzz: a live recording at Dizzy’s Club Coca Cola, deep inside the Lincoln Center, of which...
Reviewed by Jane Cornwell in issue: March/2019
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