Reviews
Sarah Vaughan/Quincy Jones: Misty
Originally out as Vaughan and Violins, these orchestral charts are by Q during his Paris sojourn, studying with Nadia Boulanger,...
Reviewed by Alyn Shipton in issue: June/2017
Abdullah Ibrahim: Ancient Africa
This exemplifies the mature period of Ibrahim when, following his late 1950s-early 60s South African band work and his 1960s...
Reviewed by Brian Priestley in issue: June/2017
Lionel Hampton: Jazz Time Paris Vols 4, 5 & 6
Hampton's 1953 Franco-American jam session is famous in the annals of Americans in Europe, but now it seems strangely ploddy,...
Reviewed by Alyn Shipton in issue: June/2017
Bill Doggett: Oops!/Prelude to the Blues
Two tenors, organ and rhythm was a formula that served Doggett well after his early big band days with Lucky...
Reviewed by Alyn Shipton in issue: June/2017
Bobby Jaspar: Bobby Jaspar's New Jazz
This is one of the high points of the Belgian saxophonist's Parisian sojourn, before his ultimately less happy move to...
Reviewed by Alyn Shipton in issue: June/2017
Lonnie Liston Smith: Love Is The Answer
Complex backings and a simple melodic overlay are the formula here, which palls when you realise how vacuous the whole...
Reviewed by Alyn Shipton in issue: June/2017
Cuong Vu 4-Tet: Ballet (The Music of Michael Gibbs)
Luke Bergman | Bill Frisell | Cuong Vu | Ted Poor
A release by heroes dedicated to another. Frisell has of course been a long time collaborator of Gibbs and worked...
Reviewed by Andy Robson in issue: June/2017
Myles Wright: The Manhattan EP
24-piece jazz orchestra | Myles Wright
With April and The Manhattan EP we have snapshot of the current Boston/New York contemporary big band scene. April, funded...
Reviewed by Stuart Nicholson in issue: June/2017
Ulf & Eric Wakenius: Father and Son
Did you know that Cat Stevens was Swedish? Actually, you can't have ‘known’ that, either before or now, because it's...
Reviewed by Robert Shore in issue: June/2017
Georges Kaplan Presents…: Four Card Trick
The London-based duo of keyboardist Stephan Barrett and alto-saxophonist Dan Strange get their kicks creating a cocktail of swampy garage...
Reviewed by Selwyn Harris in issue: June/2017
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