Reviews
Mike Longo: Step on It
Mike Longo | Lewis Nash | Bob Cranshaw
Pianist Mike Longo has been around the block more than a few times. The last time I saw him was...
Reviewed by Jack Massarik in issue: May/2014
Krokofant
Combining skronky free improv and prog-jazz fi repower this monster riffi ng Norwegian trio's new CD is not for the...
Reviewed by Selwyn Harris in issue: May/2014
Burnin' Red Ivanhoe: Canal Trip: An Anthology 1969-74
Proof positive that psychedelic jazz-rock was alive and well in Denmark in the late 1960s, this 2 CD set compiles...
Reviewed by Alyn Shipton in issue: May/2014
Led Bib: The People In Your Neighbourhood
Liran Donin | Chris Williams | Pete Grogan | Toby McLaren | Mark Holub
For an instrumental band firmly at home in the jazz scene, Led Bib have always had a conspicuously ‘pop’ approach,...
Reviewed by Daniel Spicer in issue: May/2014
Count Basie: Afrique
A curiosity that probably should be credited to Bob Thiele rather than either Basie or Oliver Nelson, on a par...
Reviewed by Brian Priestley in issue: May/2014
The Bob Sands Quartet: Out and About
A long time Madrid-based Manhattan expat on tenor sax takes a stroll through a set of mostly dedicated hard bop...
Reviewed by Selwyn Harris in issue: May/2014
Red Mitchell/Harold Land Quintet: Hear Ye! Hear Ye!
The Atlantic reissue programme contains some real gems, and this set with the two principals paced by the energetic and...
Reviewed by Alyn Shipton in issue: May/2014
Stanley Turrentine with The Three Sounds: Blue Hour-The Complete Sessions
Blue Note put Turrentine together with their most popular piano trio and the results were predictably excellent – this issue...
Reviewed by Alyn Shipton in issue: May/2014
Wayne Shorter: Second Genesis/Wayning Moments
This material has been recycled to the point of exhaustion. But for newcomers here's a little history. Second Genesis was...
Reviewed by Roy Carr in issue: May/2014
Charlotte Hug Stefano Pastor: Paragon D'archi
An experimental improv Swiss viola player and Italian violinist meet in duo and combine harsh discordant sounds, avant garde effects...
Reviewed by Selwyn Harris in issue: May/2014

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