Reviews
Matthias Schubert/Simon Nabatov Duo: Descriptions
Recorded live at the Loft in Cologne, the duo of this Russian virtuoso pianist and German saxophonist create abstract, angular...
Reviewed by Selwyn Harris in issue: March/2014
Miles Davis: North Sea Legendary Concerts
This concert was recorded on 13th July 1985, when Miles Davis opened the second day (Saturday) of the North Sea...
Reviewed by Stuart Nicholson in issue: April/2014
Nostalgia 77: A Journey Too Far
Following the excellent funkily instrumental The Taxidermist, Benedic Lamdin's fi fth recording returns to songs and draws directly on psych...
Reviewed by Selwyn Harris in issue: March/2014
Kid Ory: The Original Jazz
This comparatively late (1957) band with the eccentric Darnell Howard is not in the same league as Ory’s 1940s work,...
Reviewed by Alyn Shipton in issue: March/2014
Amy Cervini: Jazz Country
An NYC-based Toronto vocalist and her trio takes on the ‘North Americana’ songbook in style, complemented by local guest spots...
Reviewed by Selwyn Harris in issue: March/2014
Charles Evans: Subliminal Leaps
Ron Stabinsky | Charles Evans | Dave Liebman | Tony Marino
A youngish Brooklyn-based saxophonist who studied with Liebman, Evans has been a baritone specialist since the age of 17 and...
Reviewed by Brian Priestley in issue: March/2014
Steve Gadd: Gadditude
Thankfully this virtuoso crew are more than James Taylor's backing band, although doubtless that's how this release will sell it....
Reviewed by Andy Robson in issue: March/2014
Bobo Moreno: Silhouette
Backed by a jazz quartet, this Danish folky soul vocalist heads a disappointingly routine, middle of the road interpretation of...
Reviewed by Selwyn Harris in issue: March/2014
Chick Corea: Tones for Joan's Bones
Joe Chambers | Chick Corea | Joe Farrell | Woody Shaw | Steve Swallow
This classy Japanese reissue of Corea's debut as a leader on LP for Herbie Mann's Vortex label, then distributed by...
Reviewed by Stuart Nicholson in issue: March/2014
Album Interview: Avishai Cohen: Almah
Some crossover projects might lead you to the conclusion that jazz and classical are mutually disempowering: the constraints on the...
Reviewed by Robert Shore in issue: March/2014

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