Elmo Hope: Five Classic Albums
The reason for the distinctive title of this particular AvidJazz compilation is that, instead of the usual four 12-inch LPs,...
Reviewed by Brian Priestley in issue: May/2020
Nilson Matta's: Black Orpheus
Gretchen Parlato | Kenny Barron | Nilson Matta | Randy Brecker
Recorded in NYC and Rio de Janeiro, this is a brilliant reworking of music featured in the 1956 play Orfeu...
Reviewed by Peter Quinn in issue: July/2013
Dave Grusin: Piano, Strings and Moonlight
Because Grusin is such a capable pianist and his trio with Milt Hinton and Osie Johnson so polished, their jazz...
Reviewed by Alyn Shipton in issue: May/2016
Slowly Rolling Camera: Juniper
Juniper marks a return to deep roots for Slowly Rolling Camera. Much loved as Dionne Bennett's vox were, the band...
Reviewed by Andy Robson in issue: September/2018
John Taylor: Requiem For A Dreamer
John Taylor | Julian Argüelles | Martin France | Palle Danielsson
John Taylor has made too few albums under his own name over the years and Requiem is a reminder of...
Reviewed by Duncan Heining in issue: June/2011
David Kikoski: Sure Thing
I was first aware of Kikoski playing in Roy Haynes's 1993 group, but the pianist and Kozlov got to know...
Reviewed by Brian Priestley in issue: May/2021
David Virelles: Continuum
Anders Thorén | Espen Berg | Hayden Powell | Jesper Bodilsen | Seamus Blake
From the gong that resonates so grandly in the opening piece ‘One’ to the final jangling bells on the closer...
Reviewed by Kevin Le Gendre in issue: May/2019
Earl Hines: Piano Genius at Work
This 7CD box with bonus DVD is a considerable improvement on the same label’s Billy Strayhorn collection, which missed several...
Reviewed by Alyn Shipton in issue: April/2016
Dee Daniels: State of the Art
A latecomer to jazz vocals, this New York-based singer has something of her namesake Dee Dee Bridgewater about her interpretations...
Reviewed by Selwyn Harris in issue: May/2014
Frank Wess: North, South, East, Wess and No Count
The Basie tenorist and flautist in two 1956 sessions with just guitar, bass and drums rhythm, plus Frank Foster and...
Reviewed by Alyn Shipton in issue: October/2012
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