Reviews
Julian Lage: Squint
Lage was first signed by a major recording company back in 2008, and on Sounding Point and Gladwell on Universal's...
Reviewed by Stuart Nicholson in issue: June/2021
GoGo Penguin: GGP/RMX
Manchester's post-rave piano trio have seen their pioneering achievements somewhat bypassed by the wave of UK jazz which broke only...
Reviewed by Nick Hasted in issue: June/2021
Rachel Musson: Dreamsing
With so little opportunity for collaboration, instrumentalists have gone down the solo route, One such musician-composer is London-based experimental saxophonist...
Reviewed by Selwyn Harris in issue: June/2021
Fast, Loose and Out of Control: Bare Essentials
New Zealand native drummer Ed Ware and Norwegian trumpeter Audun Waage got together to record this unusual duo album in...
Reviewed by Selwyn Harris in issue: June/2021
Sons of Kemet: Black to the Future
The fourth LP by the Shabaka Hutchings-led ‘super-quartet’ Sons of Kemet comes with a mission statement reinforcing the politics at...
Reviewed by Jane Cornwell in issue: June/2021
Jen Shyu & Jade Tongue: Zero Grasses: Ritual For The Losses
Since her emergence as a vital member of Steve Coleman's bands in the 2010s, vocalist Jen Shyu has gone on...
Reviewed by Kevin Le Gendre in issue: June/2021
Dario Piccioni: Carpet Stories
This eloquent acoustic Italian piano trio, led by bassist Dario Piccioni, is dedicated to a collective lyricism but it also...
Reviewed by Selwyn Harris in issue: June/2021
Alexa Tarantino: Firefly
Gillece and this rhythm trio featured on his Posi-Tone album Still Doing Our Thing reviewed in our May edition. Here...
Reviewed by Peter Vacher in issue: June/2021
Daniel Weiss: Drive
Weiss achieved early international coverage as a participant in Guitar Idol 2016 which still crops up on Sky Arts, He's...
Reviewed by Andy Robson in issue: June/2021
Marius Neset: A New Dawn
A solo tenor sax performance is no easy task but the Norwegian saxophonist– composer Marius Neset might strike you as...
Reviewed by Selwyn Harris in issue: June/2021
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