Reviews
Chloe Charles: Break The Balance
Sam McLellan | Chloe Charles | Justin Craig | Matt Duncan
With its multiplicity of influences, this offbeat 12-track collection of originals from Canadian singer-songwriter and guitarist, Chloe Charles, channels everything...
Reviewed by Peter Quinn in issue: May/2014
Bobby Troup: The Songs of Bobby Troup
Troup at his jazziest with Howard Roberts and Red Mitchell in support, and a set of standards that come alive...
Reviewed by Alyn Shipton in issue: May/2014
Gene Ammons and Sonny Stitt: Boss Tenors in Orbit!/Soul Summit
Not long after Verve reissued the first of these albums, this two-LPs-on-one-CD package comes along, which is excellently mastered and...
Reviewed by Alyn Shipton in issue: May/2014
Shez Raja Collective: Soho Live
Raja is one of the great communicators, able to row in all sorts of stellar guests to his jazz funk...
Reviewed by Andy Robson in issue: May/2014
Takuya Kuroda: Rising Son
Solomon Dorsey | José James | Takuya Kuroda | Nate Smith | Lionel Loueke | Corey King | Kris Bowers
If the D'Angelo sub-text was clear on José James' engaging 2012 release No Beginning, No End, then this offering by...
Reviewed by Kevin Le Gendre in issue: May/2014
Gato Barbieri: The Third World
Roswell Rudd | Lonnie Liston Smith | Beaver Harris | Charlie Haden | Richard Landrum | Gato Barbieri
Dubbed the ‘Trane of Argentina’ upon his emergence in the mid 1960s, Barbieri's fierce, torrid sound, with its abundance of...
Reviewed by Kevin Le Gendre in issue: May/2014
Pee Wee Russell: New Groove/College Concert
The two albums that endeared Pee Wee to modernists in the 1960s: abstract, brilliant, unclassifiable jazz, in the pianoless quartet...
Reviewed by Alyn Shipton in issue: May/2014
Machine Mass featuring Dave Liebman: INTI
Saba Tewelde | Tony Bianco | Michel Delville | Dave Liebman
Delville and Biano wrote all the material here themselves but, as on their previous album, they are joined by a...
Reviewed by Marcus O'Dair in issue: May/2014
Bud Powell: Birdland 1953
First off, the music is by and large marvellous and, for a historical marker, it spans the months before and...
Reviewed by Brian Priestley in issue: May/2014
Omar Sosa: Senses
In his sleeve notes the Cuban-born Barcelona-based pianist describes this new music as a presentation of his roots ‘in unusual,...
Reviewed by Kevin Le Gendre in issue: May/2014

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